Benét
ARTIST BIO
'Benét thinks of his new indie rock album, Make ‘Em Laugh, as a game of Clue. He’s trying to map out exactly when and how a relationship failed. “I was left behind romantically and I was really feeling that,” he says. “I was wondering, ‘Am I going to be okay?’ How did I get to a place where we’re not cool? Was it all me?’” You can certainly hear moments of heartache, resentment, and regret on Make ‘Em Laugh. On “Damn,” he fixates on how much he misses someone, and on “Need,” he comes to terms with the realization that a partner can’t meet his emotional needs.
But despite these moments of pain, a sense of soaring optimism drives the album forward. Make ‘Em Laugh is a document of discovery and self-realization, and is full of questions rather than answers. Open-hearted inquiry is a skill he learned in therapy, which he started going to while working on the project. “You're not going to know everything,” he says. “This world does not give you cheat sheet answers. But as long as you know what you want to know, you can get a bit of freedom from just asking.”
Contemplative guitar ballad “Wonder” opens the record. Benét asks if “goodbye will ever sound nice” and if “my mom and dad will ever be friends.” The song also samples audio of other people sharing their own inquiries - if they will be in love forever, if they should have done more for themselves when they were younger. Despite the angst expressed, it’s a life-affirming moment that shows just how similar all of our worries are. “Did you know I got questions? Don’t want to feel like I’m guessing,” Faye Webster croons on “Make ‘Em Laugh,” the song she features on. She sings about a relationship that topples her understanding of love, leaving her with an exciting new perspective on the world. And on the balmy, free-flowing track “Bird’s Eye View,” Benét’s voice weaves through flute trills, meandering keys, and bird song as he contemplates how to cultivate lasting inner peace. He never lands on an answer, but the propulsion and glimmer of the music offers reassurance that happiness might be within reach.
Benét’s ability to traverse many complex and conflicting emotional states informs the sound of the music too: the album is dynamic, vibrant, and genre fluid. His warm vocals shine on contemplative indie-rock tracks like “Pieces Of Me” and “Demon.” On “Too Scared to Say,” he employs autotune to convey a sense of swirling confusion, a sentiment that intensifies on experimental electronic track “Slimmer.” Benét and featured singer AnnonXL trade off verses as the production transforms from crystalline and gentle to thrillingly noisy and energized.
After graduating from high school in 2017, Benét got a job as (incredibly) a trombone player in a clown band at an amusement park. He met a lot of musicians at the gig, but still didn’t consider making music himself. It wasn’t until 2020, when his friend Jason Garland released a song, that Benét realized it was possible for him to be an independent local artist too. He hit up Cameron Smith, the person who produced Jason’s song, and they worked on a track together called “Funny,” which gained traction and caught the attention of indie label Bayonet Records. Bayonet asked him if he had more tracks they could hear. He told them he did (he didn’t) and headed to the studio for a few weeks to write the music that would become his 2021 EP Game Over! In 2023, he released his debut album, Can I go again, also with Bayonet.
.Benét also really enjoyed working with the artists featured on the album. He discovered Margaux’s music when she performed at the Brooklyn venue Baby’s All Right, where he works, and was excited to realize that fans had already been connecting their work in the YouTube comments on his videos. Faye Webster is his best friend, and someone who he feels matches his aptitude for asking astute questions about relationships. And AnnonXL’s whirling, vibrant verse on “Slimmer” was so good that it pushed Benét creatively. “When AnnonXL sent their verse in, I hadn’t finished the second part of the song yet,” he says. “I heard what they sent and was like, ‘Oh, I gotta go harder!
’”Make ‘Em Laugh may have begun as a way to process a breakup, but, as a body of work, it looks far beyond the specifics of just one relationship. This is music that wonders about the big life questions that connect us all and that finds solace in community. If the album is a game of Clue, it’s one that captures all the insights and stories of the myriad players in the room as much as it focuses on the outcome of the game itself.
DISCOGRAPHY
CONTACT
ARTIST
benantics@gmail.com
BOOKING
hbrown@tbaagency.com
LICENSING
syncteam@terrorbird.com
LABEL